Here is a deftly written thriller that is also a 'deep and moody' (NEW YORK TIMES BOOK REVIEW) journey through the dark side of Japan's consumer-crazed society. Ordinary people plunge into insurmountable personal debt and fall prey to dangerous webs of underground creditors-so dangerous, in fact, that murder may be the only way out.
A beautiful young woman vanishes, and the detective quickly finds she is not whom she claims to be. Is she a victim, a killer, or both? In a country that tracks its citizens at every turn, how can two women claim the same identity and then disappear without a trace?' Synopsis' may belong to another edition of this title.
Contents.Early life and education Miyabe was born in Tokyo, Japan in 1960. Her mother was a seamstress and her father was an assembly line worker at a factory. She graduated from High School, then attended a business training school before taking an administrative job at a law office. Career Miyabe started writing novels at the age of 23. In 1984, while working at a law office, Miyabe began to take writing classes at a writing school run by the publishing company. She made her literary debut in 1987 with 'Warera ga rinjin no hanzai' (我らが隣人の犯罪), which won the 26th All Yomimono Mystery Novel Newcomer Prize. She has since written dozens of novels and won numerous literary prizes.Miyabe's novel All She Was Worth ( 火車, Kasha), set at the beginning of Japan's and telling the story of a Tokyo police inspector's search for a missing woman who might be an identity thief trying to get clear of debt, was published by in 1992.
Atollic truestudio crack. The next year Kasha won the, which is awarded for a new literary work that excels at storytelling in any genre. Kasha was adapted into a television movie by in 1994, then again in 2011. The Japanese version of the book sold millions of copies. An English translation of Kasha, translated by, was published by International under the title All She Was Worth in 1997. Marilyn Stasio of positively noted the relationship between the 'spare style and measured pace' of Birnbaum's translation and the 'somber tone of Miyuki's theme' of individual value in a consumerist economy, while Cameron Barr of wrote that the book's treatment of privacy and data tracking would leave the impression that 'personal privacy is a rickety antique.' The Reason ( 理由, Riyū), a multiple perspective murder mystery set in Tokyo's and written in the form of research interviews conducted in mostly polite language with the suspect, neighbors, and family members of the victims, was published in book form in 1998. Riyū won the 17th in the Japanese novel category that same year.
In 1999 Riyū won the 120th. Scholar Noriko Chino has described Riyū as 'one of the masterpieces of postwar fictional social criticism.' Riyū was adapted into a movie that was first shown on the television channel before its 2004 theatrical release.Miyabe's novel ( クロスファイア, Kurosufaia), about a police detective pursuing a girl with pyrokinetic powers, was published in the same year as Riyū.
It was adapted into the 2000 film, starring. An English version of Crossfire, translated by Deborah Stuhr Iwabuchi and Anna Husson Isozaki, was published in 2006, with calling it 'the most conventional of her three novels translated into English'. In 2003 published Miyabe's fantasy novel, a story about a boy with a troubled home life who finds a portal to another world. Brave Story became a bestseller in Japan, and has since been adapted into an film, a series, and a series of video games. The English version of the novel, translated by Alexander O. Smith, won the in 2008. Writing style Miyabe has written novels in several different genres, including science fiction,.
Outside of Japan she is better known for her crime and fantasy novels. English translations of her work include (クロスファイア), published in 1998, and Kasha (火車), translated by as, published in 1999. Literary scholar Amanda Seaman called Kasha 'a watershed moment in the history of women's detective fiction' that inspired 'a new wave of women mystery writers.' A common theme in Miyabe's work is community, particularly the effects of consumerism in Japanese society on family and community relationships. This section needs additional citations for. Unsourced material may be challenged and removed.Find sources: – ( March 2019).
Shuku Satsujin (1988). Majutsu wa sasayaku (TV movie), 1990. Saboten no Hana (1991). Unmei no Juko (based on 'Snark Gari')(1992). Tatta Hitori (1992).
Henshin (1993). Kasha: Kādo hasan no onna!